Rishtan Blue
Small plate, pomegranate
€62
1
Specifications
- Dimensions
- —
- Weight
- 580 g
- Materials
- stoneware, lead-free glaze
Delivered to Germany
One final price. VAT and customs are included and paid by us — nothing is due on delivery.
- Price
- €62
- Shipping · Estimated delivery 8–14 days
- €24
- VAT 19%
- €16.91
- Customs duty
- €3
Total€105.91
- Ships in 2–4 days
- Verified workshop
- Returns
A 20 cm plate with a single pomegranate — the fruit of abundance in every culture along this road. Painted in cobalt, turquoise and a rare touch of manganese purple.
Customs & compliance
HS 691200 · Made in Uzbekistan · stoneware, lead-free glaze
One final price. VAT and customs are included and paid by us — nothing is due on delivery.
Damaged or not as described: full refund, keep the piece. Changed your mind: 14 days, return shipping at your cost.
Materials & making
Rishtan stoneware, ishkor glaze. Ø 20 cm, 480 g.
Each piece is made by hand; small variations are part of its character.
Care
Dishwasher-safe on a gentle cycle, though hand washing preserves the glaze longest. Not for the oven or microwave. Ishkor glaze is lead-free and food-safe.
About the maker
The ishkor glaze of Rishtan, fired the way it has been for eight hundred years.
Rishtan sits on a seam of red clay in the Fergana Valley that potters have worked since the twelfth century. Usto Alisher Nazirov's family kiln still fires with the ishkor glaze — ash of the desert plant burned and ground with quartz — which gives the town's ceramics their impossible turquoise-blue. Plates are thrown, dried in the courtyard, painted freehand with mineral pigments and fired once. No two are alike.
Visit workshopDetails
- Material
- Stoneware
- Technique
- Hand-thrown
- Technique
- Ishkor ash glaze
- Colour
- Multicolour
- Weight
- 580 g
- SKU
- SMALLPLATEPOME
About the maker
Rishtan
Uzbekistan
Rishtan Blue
The ishkor glaze of Rishtan, fired the way it has been for eight hundred years.
Rishtan sits on a seam of red clay in the Fergana Valley that potters have worked since the twelfth century. Usto Alisher Nazirov's family kiln still fires with the ishkor glaze — ash of the desert plant burned and ground with quartz — which gives the town's ceramics their impossible turquoise-blue. Plates are thrown, dried in the courtyard, painted freehand with mineral pigments and fired once. No two are alike.
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