Rishtan Blue
Tall vase, islimi vine
€265
Only 3 left
1
Specifications
- Dimensions
- —
- Weight
- 2200 g
- Materials
- stoneware, lead-free glaze
Delivered to Germany
One final price. VAT and customs are included and paid by us — nothing is due on delivery.
- Price
- €265
- Shipping · Estimated delivery 8–14 days
- €52
- VAT 19%
- €63.25
- Customs duty
- €15.90
Total€396.15
- Ships in 2–4 days
- Verified workshop
- Returns
A 40 cm vase covered edge to edge in the islimi scrolling vine, painted in one uninterrupted movement by Usto Alisher. A single stem of anything looks right in it.
Customs & compliance
HS 691390 · Made in Uzbekistan · stoneware, lead-free glaze
One final price. VAT and customs are included and paid by us — nothing is due on delivery.
Damaged or not as described: full refund, keep the piece. Changed your mind: 14 days, return shipping at your cost.
Materials & making
Rishtan stoneware, ishkor glaze. H 40 cm, Ø 14 cm, 1.9 kg.
Each piece is made by hand; small variations are part of its character.
Care
Dishwasher-safe on a gentle cycle, though hand washing preserves the glaze longest. Not for the oven or microwave. Ishkor glaze is lead-free and food-safe.
About the maker
The ishkor glaze of Rishtan, fired the way it has been for eight hundred years.
Rishtan sits on a seam of red clay in the Fergana Valley that potters have worked since the twelfth century. Usto Alisher Nazirov's family kiln still fires with the ishkor glaze — ash of the desert plant burned and ground with quartz — which gives the town's ceramics their impossible turquoise-blue. Plates are thrown, dried in the courtyard, painted freehand with mineral pigments and fired once. No two are alike.
Visit workshopDetails
- Material
- Stoneware
- Technique
- Hand-thrown
- Technique
- Ishkor ash glaze
- Colour
- Lapis blue
- Weight
- 2200 g
- SKU
- TALLVASEISLIMI
About the maker
Rishtan
Uzbekistan
Rishtan Blue
The ishkor glaze of Rishtan, fired the way it has been for eight hundred years.
Rishtan sits on a seam of red clay in the Fergana Valley that potters have worked since the twelfth century. Usto Alisher Nazirov's family kiln still fires with the ishkor glaze — ash of the desert plant burned and ground with quartz — which gives the town's ceramics their impossible turquoise-blue. Plates are thrown, dried in the courtyard, painted freehand with mineral pigments and fired once. No two are alike.
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